Tidens teknologi kan bruges til meget andet end kedelige, praktiske løsninger. Her er for eksempel den engelske kunstner Tine Bech hoppet i et par egenproducerede lydsko, som får alt fra kobrøl, baabuu-lyde og magiske trylle klirren til at lyde afhængig af position i rummet. Teknologien, der kan bruges til at styre varelagre i for eksempel et supermarked, er blevet til kunst som en del af udstillingen 'På Grænsen' i Aarhus Kunstbygning.
Louise Witt, Front page Aarhus Stiftstidende, 3 Nov 2006
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Channel 4, Richard and Judy, 11 July, 2005
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Tine Bech unites body and world in a formless intersection on the edge form. It is in this meeting that we are reminded that we exist in the world and that we leave behind traces that impinge on our surrounding world. This thinking is strengthened by the choice of tactile material, which brings out sensuality.

The installation therefore seems to comment on the western tradition of dualistic thinking that separates body and mind. In a way the installation almost has Buddhist elements in the way it attempts to go beyond the classic dualistic dichotomy: Body and Mind are interdependent. Hans Christian Andersen wrote about this 200 years ago and Tine Bech now re-ignites the debate in case anyone should have forgotten the old poet.

Rene Lundgaard, Aarhus Nu, Review: Floating Field, 17 April, 2005
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Jyllandsposten, Puls i Aarhus Kunstbygning by Louise Wilhelmsen.
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